On “Universal Mind Control,” Common tried out more “futuristic” and otherworldly ideas, beats, and imagery to push himself and take his music to places he hadn’t previously explored. Working with Pharrell Williams of producing duo The Neptunes played a huge part, since Pharrell is no stranger to enthusiasm for outer space themes and ideas. From his music label Star Trak, to his clothing lines, Billionaire Boys Club and Ice Cream featuring an astronaut as its mascot, and even citing scientist Carl Sagan as someone he really admires, Pharrell is often pushing creativity toward an interplanetary future. (Watch Pharrell talk to Current about his creative community ARTST here.) The first single and title track from Common’s “Universal Mind Control” is a perfect example of that.
But Pharrell and Common aren’t the only artists in hip-hop to focus attentions on off-world conquest. It’s been a source of inspiration and a big topic for a lot of emcees and producers in recent years especially. Since the beginning of his mainstream career, Kanye West has talked about escaping in a “Spaceship”, and his entire 2008 Glow In The Dark tour hinged on a plot line where he’d been traveling the unknown to find the meaning and inspiration that Earth had failed to provide.
A 2008 Slate magazine article suggested that the black “Afronaut” has roots all the way in the earlier 1900s. But young music fans and bloggers have suggested that what it makes appealing in most recent history—though even that extends back to Afrika Bambaataaa’s “Planet Rock” in the 1980s—is being able to identify with “the alien Superman.” There’s something relatable in the isolation of outer space existence, and then using that same “otherness” to present ordinary Earth with material that’s both unique and heroic, thanks to the grandness that comes along with huge spacecrafts delivering lifesaving resources that people need.
New artist Kid Cudi fits right into that idea with his debut, “Man on the Moon: End of the Day” (narrated by none other than…Common). The isolation of the space agent is crux of the album, and Cudi says that space as a concept appealed to him even as a child—going from traveling to his own world in his imagination to placing himself there more definitely as an artist.
Our music programming supervisor Manoj Gopinath represented for Team Current at the Common & Friends Benefit this past weekend in LA. Here’s his recap and some (shaky) YouTube clips we found. —SNK
Hip hop’s finest all came out to flex their performance muscles at a great concert this past Saturday at the Hollywood Palladium in Los Angeles, CA. The concert, curated by rapper/actor (and friend of Current Music) Common, and supporting his Common Ground Foundation, brought out a diverse group of performers, including himself. The event was organized by Jodie Blum, the executive director of the Common Ground Foundation, and Common gave all the props to her for getting all the artists to come out and perform. I was lucky enough to have a chance to check out the show, which I would rate as one of the best I’ve seen in a while. That’s saying a lot, as I’ve been to a pretty fair amount in the past two years working at Current.
Hosted by KCRW’s Garth Trinidad, a good friend of Common, the show started off with a bang when he introduced hip hop underground royalty De La Soul, who performed a couple of their hits, including “Buddy,” “Stakes is High,” and “Oooh.” One of the early surprises was when a masked MF Doom showed up to drop his verse on “Roc Co.Kane Flow.” I’m not sure most of the skinny-jean wearing hipster crowd knew who he was, but the true hip hop heads in attendance were definitely bobbing their head ferociously.
The man of the night then appeared, as Common came out and rocked with De La Soul, performing a couple of their collabs. Common then took over the stage and went on to perform one his staples of all his live shows lately, “The People,” shouting out President Obama and the new generation of our diverse population. He then segued into a version of “Come Close” set to the live band’s rendition of D’angelo’s “Brown Sugar,” a definite highlight for the ladies in attendance. Just when you thought it couldn’t get any better, ?uestlove and Black Thought came to the stage to rock the drums and mic, and launched into an impromptu freestyle session with Common, while DJ Dummy—Common’s DJ and the house DJ for the night—was searching for their collab record to throw on. It was a great moment where three amazing artists went off the top to give the crowd what they expected. Real hip hop!
Next up was an unusual guest in the mostly backpack/conscious line-up, none other then ATL’s own Ludacris. You wouldn’t be able to tell by the crowd though, as the energy was definitely lifted a notch when Trinidad brought him out. Luda took us back with his classic hits “Southern Hospitality” and “Move B#$&%.” But the theme of the night was not forgotten, as he thanked Common, who he mentioned as one of his favorite rappers, and thanked hip hop, then fittingly launched into his current collaboration with Nas, “I do it for hip hop.”
And wouldn’t you know it, Mr. Nasir Jones then came out to spit his verse. He then took over the stage, as the band’s keyboard player dropped the inspirational “In the Air Tonight” riff from his hit “One Mic.” Judging from Nas’ performance, his energy level was definitely off the charts, even forgetting some of his lyrics, as the crowd cheered him on. As he performed “The World Is Mine” and “NY State of Mind,” Common played hype man, even helping him out with some of the lyrics, fittingly changing NY to LA on the hook, which the crowd loved. Common even rapped one of Nas’ verses, paying homage to the Queens Bridge legend. The two hip hop icons then joined forces to introduce another surprise guest, one of their personal favorites, none other than the overweight luva himself, Heavy D. Most of the younger crowd probably did not know the history, as the energy digressed a bit, but I myself was taken back to my days in elementary / middle school, a lovely time in my life:), as he performed “The Overweight Lova’s in the House” and “Nuttin’ But Love.” I have to admit, while watching the sound check earlier in the day, and seeing Heavy D run through his set, I was pretty excited, as I’d never seen him live before—so added bonus for me, not so much for the skinny jeans crowd.
Just when you thought the night might be winding down, Common hit the stage again, while DJ Dummy dropped the instrumental for his collaboration with Black Star, “Respiration.” Could it be? Could both Mos Def and Talib Kweli be in the building. Judging from how the night had gone so far, it was pretty much a given. Right on cue, Mos’ melodic voice blared over the PA, launching into his verse… The crowd was at an all time high! When Talib appeared, you knew the night was a special one for hip hop. Mos and Talib each did their respective solo cuts too, “Umi Says” and “Get By,” with the latter getting a crazy response from the crowd. Common even admitted to the crowd that Talib and Mos were last-minute additions, who called him the night before and said they wanted to rock at the show. I was thinking to myself, now that is what hip hop is all about!
This seemed like a perfect avenue to bring another guest in, huh? Common took to the mic to send his apologies from Mr. West, for not being able to make it, as he was trying to stay out of the spotlight, and also took a minute to defend his brother. For a split second, I actually believed him, but as the adrenaline level in the crowd seemed to increase, and Common chanted “the only way to get up from this was to ‘Get em high,’” the instrumental for his collaboration with Kanye and Talib dropped. As Kanye appeared, rapping his verse, the crowd pretty much exploded, and the energy in the Palladium was at an all time high. Kanye might have been taken aback a bit, as he forgot some of his lyrics, but Common and Talib stepped in to back him up.
Kanye then went on to perform “Good Life,” probably the all-time high of the show for the crowd, and “Flashing Lights,” with Mos Def filling in for Dwele’s soulful hook. Common and Talib played his hype men, and did a fine job if I might add. You would think this would be the fitting end to an already amazing show, but just as “Flashing Lights” was coming to a close, a female voice was heard over the speakers—none other than Queen Latifah. Assisting Mos with the hook probably wasn’t a good idea, but in any event, the Queen herself closed out the show, as Common and Kanye backed her up. She ended her set with her classic cut “U.N.I.T.Y.,” a fitting end to an amazing night. Unity was definitely the theme of the whole show, as an eclectic group of performers came out for a great cause. This was definitely 2.5 hours of my life that wasn’t wasted, and I’m sure everyone in attendance would agree with me. Props to Common, Jodie , the Common Ground Foundation, and everyone who supported the show.
I thought she sounded damned good. But it was her so-insane-it’s-uncomfortable stance, from arrival to performance to award acceptance (the look on Eminem’s face as she asked him to hold her Moonman was one to savor for a while) that really made me think. This is someone who’s taken her underground performance art and made it pop, but who proved last night that if anything it will be less toned down the more popular she gets.
When a singer so strange can top the pop charts—or when an American Idol finalist like Adam Lambert can credit a ’shrooms-fueled epiphany on the playa and his community of Burners with making him the sudden star he is today—it makes me wonder whether we’re seeing some resurgence of the fringe club culture that has spawned and nurtured gender-bending illusionist artists from Grace Jones to the Scissor Sisters.
What do you think? Got some other musical artists pushing the boundaries who you think are ripe to break through to mainstream media?
+ Dead Man’s Bones—aka Ryan Gosling and Zach Shields—announced their upcoming tour dates with a suitably creepy ad. The album was recorded with the help of a children’s choir, and on tour there will be local groups adding the choral parts into the stage show. There’s also going to be a talent show instead of opening bands. Why would I make something like this up?
+ Dead by Sunrise—aka Linkin Park’s Chester Bennington and friends—offer a peek behind the scenes of their album, out October 13.
+ Song I am most looking forward to on Jay-Z’s The Blueprint 3: “D.O.A. (Death of Auto-Tune).” The album also features collaborations with Rihanna, Kanye West, Timbaland, Drake and more. Can we get a sticker like the kind they put on organic fruit for organic sounds? FRESH! No Auto-Tune was harmed in the making of this record!
Got more great music stories for Current? Submit them here and be sure to tag with the artist name for consideration to be featured!
+ Finally, one of my favorite new musical discoveries of the year gets hip to the internet. Check out this performance by the Features, doing the first two songs off their album “Some Kind of Salvation.”
+ Even Kanye West has gotten in on the “no homo” qualifier game. But does the disclaimer—tacked onto any lyric that might make a hip-hopper seem even the slightest bit gay—actually doing more to elevate the awareness of sexuality?
+ Lots of Twitter, blog and alt-media coverage in LA over this weekend as the HARD Rave was shut down by Inglewood police. Here’s commentary from one Current community member from the scene.
Got more great music stories for Current? Submit them here and be sure to tag with the artist name for consideration to be featured!
